Photostudio Conversations: Teaching Creativity
Teaching Creativity. Another from the Photostudio conversations series. I mean, just how do you teach creativity in a class? (more…)
Teaching Creativity. Another from the Photostudio conversations series. I mean, just how do you teach creativity in a class? (more…)
All creativity is on some level a form of play. As we get older, it goes by different names: sketching, experimenting, or trying something new are all synonyms. I decided to literally play with fire. Don’t worry, no one got hurt!
I’m teaching a class this weekend entitled “Nudes in Nature”. I’m out of my comfort zone with this workshop, as I really don’t shoot nudes outside. It’s just not my thing, mostly because the subject risks becoming clichè or trite. How many images are there of: nude on a rock, nude in front of a bush, nude on the sand, etc? I’m guessing billions. But I’m a firm believer that struggle leads to growth, so I’m all in for the course.
So how am I going to get around this? Whenever I get stuck, I go at a problem from a different angle. Forget the nudity for now and let’s focus on some concepts. We’ll fill in subject and technique later. Bear with me through a decidedly non-linear creative process after the jump.
Abstract Photography: Sometimes I just look for patterns of light, shadow and shape. Abstraction can be a joy in an of itself.
Experimentation with surface treatments in the Mirage series of abstract art nudes. This is the second image where I was experimenting with surface treatments to the metal plate. My goal…
The Mirage series has been about re-imagining the art nude. I love working with the human form- it can be so graceful, pliable and surprising. But nudes can just as easily be cliché. I didn’t want to create a literal image of the body; it’s just been so “done” in the internet era. Which is why I find the metal reflections so appealing. The images are traces, abstract suggestions of the human form, rather than literal translations. The treatment of the metal has been a major component of the Mirage series. The polishing, scratching and distressing of the sheet are an integral part of the process and the final image. It got me thinking about how I might bring more texture to the metal surface. (more…)
Photographic Portfolio Reviews I just finished presenting my work at the New England Portfolio Reviews, sponsored by the Photographic Resource Center of Boston and the Griffin Museum. This was my…
Abstract Photography Loupe, the Journal of the Boston Photographic Resource Center, had an excellent article recently on abstraction in photography (Feb 2013, pp 24-28). It was a good overview of…
They say a photograph isn't real until it is printed. Well, next week I'm putting that to the test. I'm taking my work to the New England Photo Review. Here…