It’s that time of year when photography websites and magazines start publishing “gift lists” of stuff that will supposedly improve your photography. This is kinda like that, but not. If you REALLY want to improve, read the rest below.
(more…)
I love how the metal distortion, the light and shadows combine to create this image. It looks as if Z has removed her mask only to reveal, nothing? That's the…
Experiments that succeed are not the most important ones, for they confirm what we already suspect to be true. (more…)
Apologies for the long pause in posting. I’ve been working through some ideas artistically. Some of the experiments have been successful. Others well, not so much. But I learn as much from the gems as from the kerblewys! (more…)
I just got back from a weeklong photographic workshop with Connie Imboden up a the Maine Media Workshops. It was an amazing experience and I’ll write more about it later, but one thing in particular stuck with me. Connie repeatedly emphasized paying attention to the edges of the frame. The constrictions of the photographic form force us into a defined compositional shape, but the form can be a source of creative seeing as well. (more…)
My creative process is an exploratory (and often random) one. It’s through the creation of the mirrors from sheets of metal and the subsequent photography that an image- an idea- reveals itself. I find rather than plan.
The mirror tells a story of our past, who we remember ourselves to have been. (more…)
